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Quinn Gaskell
Geregistreerd op: 10 Nov 2021
Berichten: 3
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 Geplaatst: 10-11-2021 11:48:45 Onderwerp: scarpette |
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Larraín frames his film as a fable, exploring the dark side of the monarchy without eschewing the fantasy and beauty that keeps the system going. Diana’s life may be falling apart, but she looks the part of a princess and is surrounded by luxury. That contrast is part of what makes the film powerful. Creating the wardrobe of the allegorical Windsor meant Larraín, costume designer Jacqueline Durran, and Stewart had to be on the same page. Thankfully, they had some help from a fashion giant: Chanel. “Every step of the way, it was a total collaboration,” shared Stewart via email. “chiara ferragni scarpe We were all in this together: me, Pablo, Jacqueline, and Chanel. It was so intimate.”
Chanel opened its archives to the production, loaning and re-creating vintage pieces for Stewart to wear onscreen. This level of access allowed Durran to heighten the luxurious mood that Larraín and production designer Guy Hendrix Dyas created. “In terms of style and glamour, the collaboration gave the movie something we wouldn’t have had otherwise,” she says. “The Chanel pieces added to that aura Diana had as a princess, so it was an incredible match in that sense.”
There are thousands of photographs and articles about Diana to draw from, but the wealth of information scarpette was a double-edged sword. “In the beginning, it was an intimidating situation because there were just so many images of her,” says Durran, who focused her attention on photos shot between 1988 and 1992. “What I wanted to find was the logic behind her choices and the key pieces you see her wear during that period. Certain elements repeat—color blocking, gold buttons, contrasting lapels, polo-neck sweaters, and high-waist, slightly cropped jeans with flat pumps.” Figuring out Diana’s staples was crucial. “I had to establish a contrast between the formal and restrictive clothes she wears during her official life and the way she dresses when she can be herself,” says Durran. “To tell this story, you had to see a real difference between those clothes.” |
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